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  5. 五行概念應用於鑲嵌玻璃之動態雕塑創作
 
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五行概念應用於鑲嵌玻璃之動態雕塑創作

Other Title
Stained Glass Mobiles Inspired by the Five Chinese Elements.
Date Issued
2016-07-11
Author(s)
江佳玲
商業設計系  
Advisor
黃鐉津
URI
https://www.airitilibrary.com/Publication/alDetailedMesh1?DocID=U0061-2607201615132700
https://nutcir-lib.nutc.edu.tw/handle/123456789/628
Abstract
本創作以文化底蘊作為根基、以美感經驗作為載體,打造具有在地特色的創新能量。研究主軸為:創作理念分析與創作表現方法兩部分。將五行元素歸納出形、色、意三大區塊,運用河圖中生數成數,陰陽相配的定理,來呼應五行相生概念。結合Calder動態雕塑的表現型式,並以Tiffany鑲嵌玻璃色彩配置的工法,構思創新結構與設計。

藉由「木、火、土、金、水」之系列作品可隨著氣流移動又能達到元素間平衡的特性,將五行「相生」的美好意涵傳遞其中,賦予商品更深一層的文化意義。供空間擺飾應用與參酌,展現別具特色的東方風格,塑造環境新氛圍。
The creation uses cultural heritage as its foundation and elaborates with aesthetic experiences to create an innovative power that contains local features. It researches into two parts, creative concepts analysis and creative expression methods, and it concludes the five elements into “shape”, “color”, and “implications” to respond to the concept of the inter-promoting relations of the five element with the theories of Extinction (Shengshu) and Generation (Cheng-Shu) stated in the River Diagram (Hetu) and the Matches of Yin and Yang. The work connects to the presentation form of Stabile Sculpture, which is also named "Mobile" by Calder, utilizing Tiffany’s working method in stained glasses’ color presentation to construct its innovative structure and design.
Through five elements’ characteristics of flowing with the Qi and mutual balance, the series of “Wood, Fire, Earth, Metal, and Water” were given the beautiful implication of five elements’ inter-promoting relations, and so such works are given deeper cultural implications. It is good for applying as space decoration and deliberation to present the unique oriental style and create a new atmosphere for the surroundings.
Subjects
五行
動態雕塑
鑲嵌玻璃
Five Elements
Mobile Sculpture
Stained Glass
Type
master thesis

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