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臺灣海岸白色污染現況-以投影裝置表現之創作研究
Other Title
Current Status of White Pollution in Taiwan Coastline - A Creation Research of Using Projection Device Performance
Date Issued
2022-07-15
Author(s)
廖家葦
Advisor
溫志維
Abstract
時代的更迭與科技的進步,帶給人們更多生活上的便利,但便利之下,導致廢棄物逐年增加,雖近年來環保意識抬頭,政府與商家持續執行減塑減廢政策,但仍不及環境破壞的速度。其中,塑膠廢棄物占比量列最高,這些塑膠所造成的污染稱為「白色污染」,臺灣海岸為白色污染最嚴峻之場域,本研究透過田野調查記錄下臺灣海岸現況,建置光雕投影裝置藝術,並透過專家來探討本裝置藝術對於白色污染議題的影響性與審思性。
本研究創作分為三大階段進行,第一階段進行文獻探討與資料收集,透過分析荒野保護協會與綠色和平組織的「海岸廢棄物快篩」調查結果,前往北、中、南污染最嚴重的三處海岸進行田野調查、拍攝影像以及蒐集白色塑膠廢棄物;第二階段製作光雕投影結合裝置藝術,將蒐集的白色塑膠廢棄物分別製作成平面、半立體以及全立體的裝置藝術,並透過光雕投影來呈現白色污染議題的影像;第三階段透過深度訪談環境議題專家、光雕投影專家以及腳本企劃專家對於本光雕投影裝置藝術給予評估與建議。
本創作研究成果,第一階段透過田野調查來記錄與拍攝臺灣三處海岸的白色污染現況,發現都有淨灘痕跡,雖大型廢棄物減少,但中小型塑膠廢棄物、保麗龍碎片以及塑膠微粒仍大量殘留;第二階段完成建置平面、半立體、立體三種型式的光雕投影裝置藝術;第三階段專家訪談並綜合彙整,從「裝置藝術本質」、「感受回饋」、「光雕投影傳達效果」與「白色污染的審思性」等四構面進行探討其成效。在整體作品呈現上,各方專家認為光雕投影應用於白色污染裝置藝術上效果均顯著,皆具有相當的成效性與審思性。
期望透過本創作的拋磚引玉,引發觀眾對白色污染議題的重視,達到呼籲共同致力改善環境的宗旨。提供後續研究者、創作家進行研究或創作的參考案例。
本研究創作分為三大階段進行,第一階段進行文獻探討與資料收集,透過分析荒野保護協會與綠色和平組織的「海岸廢棄物快篩」調查結果,前往北、中、南污染最嚴重的三處海岸進行田野調查、拍攝影像以及蒐集白色塑膠廢棄物;第二階段製作光雕投影結合裝置藝術,將蒐集的白色塑膠廢棄物分別製作成平面、半立體以及全立體的裝置藝術,並透過光雕投影來呈現白色污染議題的影像;第三階段透過深度訪談環境議題專家、光雕投影專家以及腳本企劃專家對於本光雕投影裝置藝術給予評估與建議。
本創作研究成果,第一階段透過田野調查來記錄與拍攝臺灣三處海岸的白色污染現況,發現都有淨灘痕跡,雖大型廢棄物減少,但中小型塑膠廢棄物、保麗龍碎片以及塑膠微粒仍大量殘留;第二階段完成建置平面、半立體、立體三種型式的光雕投影裝置藝術;第三階段專家訪談並綜合彙整,從「裝置藝術本質」、「感受回饋」、「光雕投影傳達效果」與「白色污染的審思性」等四構面進行探討其成效。在整體作品呈現上,各方專家認為光雕投影應用於白色污染裝置藝術上效果均顯著,皆具有相當的成效性與審思性。
期望透過本創作的拋磚引玉,引發觀眾對白色污染議題的重視,達到呼籲共同致力改善環境的宗旨。提供後續研究者、創作家進行研究或創作的參考案例。
Technological advancements have brought greater convenience into people's lives. However, governments to implement policies to reduce plastic in recent years. These efforts have still not been able to catch up to the rate of environmental destruction. Plastic waste accounts for the highest proportion. The pollution caused by these plastics is known as "white pollution". This research documents construction of an installation art work in the form of a light sculpture projection, and exploration with experts on the impact and reflection of this installation art on the issue of white pollution.
This research is divided into three stages. First stage, through analysis of the results from the "Coastal Waste Rapid Testing" conducted by SOW and Greenpeace, we visited the most polluted coasts along northern, central, and southern Taiwan to conduct field studies. Second stage, a light sculpture projection is created and combined with installation art. Collected white plastic wastes were made into flat, semi-three dimensional and fully three-dimensional installation art. The light sculpture projection presents images related to white pollution issues. Third stage, through in-depth interviews with experts for this light sculpture projection installation art are provided.
The first stage recorded and photographed. Though traces of past beach cleanups were detected, a large number of particles still remained. In the second stage, three types of light sculpture projection installation art, including flat, semi-three dimensional and fully three-dimensional, were completed. In the third stage, the interviews of experts were comprehensively compiled, into four aspects: "the essence of installation art", "feelings and feedback", "light sculpture projection transmission effect" and "contemplations of white pollution". In the presentation of the overall works, the various experts believed that the application of light sculpture projection to white pollution art installations produced remarkable, effective, and thoughtful effects.
Through this creation, raise attention to the issue of white pollution. Also provides cases for subsequent researchers and creators to reference.
This research is divided into three stages. First stage, through analysis of the results from the "Coastal Waste Rapid Testing" conducted by SOW and Greenpeace, we visited the most polluted coasts along northern, central, and southern Taiwan to conduct field studies. Second stage, a light sculpture projection is created and combined with installation art. Collected white plastic wastes were made into flat, semi-three dimensional and fully three-dimensional installation art. The light sculpture projection presents images related to white pollution issues. Third stage, through in-depth interviews with experts for this light sculpture projection installation art are provided.
The first stage recorded and photographed. Though traces of past beach cleanups were detected, a large number of particles still remained. In the second stage, three types of light sculpture projection installation art, including flat, semi-three dimensional and fully three-dimensional, were completed. In the third stage, the interviews of experts were comprehensively compiled, into four aspects: "the essence of installation art", "feelings and feedback", "light sculpture projection transmission effect" and "contemplations of white pollution". In the presentation of the overall works, the various experts believed that the application of light sculpture projection to white pollution art installations produced remarkable, effective, and thoughtful effects.
Through this creation, raise attention to the issue of white pollution. Also provides cases for subsequent researchers and creators to reference.
Subjects
白色污染
臺灣海岸
裝置藝術
光雕投影
White Pollution
Taiwan Coastline
Installation Art
Projection Mapping
Type
master thesis