曾志峰黃懷德2025-08-112025-08-112023-09-12U0061-1808202311510300https://www.airitilibrary.com/Publication/alDetailedMesh1?DocID=U0061-1808202311510300https://nutcir-lib.nutc.edu.tw/handle/123456789/773現階段動畫製作大多主力傾向於3D動畫，主因在於能充分利用科技數位化的優勢並節省製作時間。此外，也由於3D製作和AI技術的不斷推陳出新，提升了動畫的品質和創作效率，這也導致仰賴專業技能與耗時耗力的傳統2D手繪動畫逐漸被邊緣化。 反觀現今以3D為主軸的動畫，透過電腦精密運算模組化製作及後製程式渲染下，使得畫面趨向於商業化冰冷寫實的元件組合，而忽略了作者想賦予角色該有的內涵及氛圍的情感傳達，在藝術涵養的傳承上也漸趨式微；當制式化的精緻畫面視覺大於深層涵義時，也就掩埋作者內心透過動畫製作原本想表達的情感思考及意涵；反之，或許最單純的原畫線條動畫製作，無須華麗的包裝，是否也能藉此線條詮釋出核心理念，喚起民眾的共鳴與喜悅？因此，本研究首先以角色擬人化的創作方式為設計概念主軸進行論述，再結合藝術性及手繪線條筆觸帶來的溫度，屏除華麗的技術皮囊，重新詮釋台灣民俗陣頭在傳統節慶中的歡樂繽紛及熱鬧氛圍。藉由可愛角色擬人化風格，塑造出符合各年齡層喜愛的台灣民俗陣頭文化。 最後，憑藉本研究創作的2D擬人化動畫，透過線條繪製方式來思考製作初衷跟核心，推廣台灣民俗陣頭文化的傳承美德，再度找回陣頭文化的共鳴深層意涵。 關鍵詞：手繪動畫、擬人化角色、台灣民俗陣頭、2D動畫Currently, the majority of animation production is leaning towards 3D animation as its primary method. The main reason for this trend is the ability to fully leverage the advantages of digital technology and save production time. Additionally, continuous advancements in 3D production and AI technology have elevated the quality and efficiency of animation creation. Consequently, traditional 2D hand-drawn animation, which relies on specialized skills and is time-consuming, is gradually being marginalized. However, Contemporary 3D animation achieves its visuals through precise computer calculations, modular production, and post-processing rendering, resulting in a fusion of commercialized and clinically realistic elements. This shift unintentionally overlooks the intended emotional depth and ambiance that creators aimed to convey through characters, leading to a gradual decline in the transmission of artistic heritage.When highly refined visuals become overly standardized, and surface aesthetics overshadow the profound meaning within the animation, it conceals the emotions, thoughts, and implications the creator originally intended to convey. On the contrary, perhaps with the simplest form of original hand-drawn animation, without the need for extravagant packaging, can it still effectively interpret core concepts through its lines and evoke resonance and joy among the audience? Therefore, this research first discusses the design concept with a focus on character anthropomorphism, then combines artistry and the warmth brought by hand-drawn lines to eliminate extravagant technical appearances. It reinterprets the joyful and vibrant atmosphere of Taiwan's folk parade in traditional festivals. Through the adorable character anthropomorphism style, it shapes the Taiwanese folk parade culture that appeals to all age groups. Finally, with the 2D anthropomorphic animation created in this research, the production's original intent and core are contemplated through the drawing style of lines, promoting the traditional virtues of Taiwan's folk parade culture and rediscovering the profound resonance of the parade culture’s heritage. Keywords: Hand-Drawn Animation、Anthropomorphic Character、Taiwan Folklore、2D Animation.zh手繪動畫擬人化角色台灣民俗陣頭2D動畫Hand-Drawn AnimationAnthropomorphic CharacterTaiwan Folklore2D Animationmaster thesis