趙樹人溫志維温欣蓉2025-08-072025-08-072024-03-22U0061-1901202401181400https://www.airitilibrary.com/Publication/alDetailedMesh1?DocID=U0061-1901202401181400https://nutcir-lib.nutc.edu.tw/handle/123456789/537流動畫施畫過程較為自由，將液態顏料裝入杯中，以垂流方式使顏料藉由自然重力流動於畫布上的創作模式，過程具水流動之動感呈現且有趣，但其作品呈現較多為平面，且作品不能運用於乘裝飲食等生活層面，本研究欲將流動畫之創作元素，經由轉換與調整後，運用於陶藝之施釉模式上，期待透過流動畫的創作模式，開發能融入生活美學之陶器皿。 本研究創作依據分為階三段進行，第一階段先以文獻分析法進行資料的收集與彙整，再透過實驗法進行驗證與本研究創作前測試，第二階段以實際走訪進行樣本拍攝紀錄與蒐集後，於第三階段將拍攝紀錄的影像作為本研究創作的核心概念進行創作。 本研究將流動畫技巧運用於陶藝創作中，透過釉藥的釉色選色與調配應用，以四面環海的臺灣為創作依據，觀察臺灣水流的發展，模擬水在流動、停滯與噴濺等大自然可見的形式表現上，希望可藉由釉藥創作媒材的應用與特性，增添了水流動質地之多元性，將陶盤經窯燒後，將器皿使用於茶道與日式和菓子。本研究創作結論分為三部分：（一）透過觀賞進一步了解水流動表現的豐富性、（二）展現流動釉色的多元性以及視覺藝術方式的呈現效果、（三）以展覽形式使觀眾對作品產生水流意象的印象。The painting process of flow painting is relatively free. Liquid paint is put into a cup, and the paint flows on the canvas in a vertical flow manner by natural gravity. The process is dynamic and interesting like the flow of water, but its works show more It is a flat surface, and the work cannot be used in daily life such as riding, decoration and eating. This research intends to apply the creative elements of flow animation to the glazing mode of pottery after conversion and adjustment. It is expected that through the creation mode of flow animation, we can develop Pottery that integrates the aesthetics of life.The creation basis of this research is divided into three stages. In the first stage, the literature analysis method is used to collect and compile data, and then the experimental method is used to verify and test the research before creation. The second stage is to conduct sample shooting through actual visits. After recording and collecting, in the third stage, the recorded images will be used as the core concept of this research and creation. This study applies flow animation techniques to ceramic creation. Through the glaze color selection and blending application, Taiwan, surrounded by the sea, is used as the basis for creation. It observes the development of water flow in Taiwan and simulates the flow, stagnation, and splashing of water. In terms of the visible form of nature, I hope that the application and characteristics of the glaze creative medium can add diversity to the flowing texture of water. After the pottery plate is fired in the kiln, the vessel can be used in tea ceremonies and Japanese confectionery. The creative conclusion of this research is divided into three parts: (1) to further understand the richness of water flow expression through viewing; (2) to show the diversity of flowing glaze colors and the presentation effect of visual art; (3) to allow the audience to understand the flow of water in the form of an exhibition The work creates the impression of water flow imagery.zh視覺藝術陶藝流動畫水流生活美學Pour PaintingsVisual ArtsCeramicsWater FlowLife Aestheticsmaster thesis